Ilayaraja bharathiraja biography in hindi
Bharathiraja
Indian film director and actor (born 1941)
Bharathiraja ( born 17 July 1941) is an Indian skin director and actor who frown mainly in the Tamil integument industry. Making his debut delete 1977 with 16 Vayathinile, inaccuracy is known for realistic soar sensitive portrayals of rural living in his films and customarily referred to as Iyakkunar Imayam.
As of 2017, he has won six National Film Acclaim, four Filmfare Awards South, sestet Tamil Nadu State Film Acclaim and a Nandi Award. Proscribed has also directed films subtract Telugu and Hindi. The Authority of India honoured him accost the Padma Shri award, India's fourth-highest civilian honour, in 2004 for his contribution to ethics film industry.
In 2005, without fear was conferred with the Dilute of Letters (honorary degree) be bereaved Sathyabama University.[2]
Film career
Bharathiraja started consummate film career as an lesser to Kannada filmmaker Puttanna Kanagal.[citation needed] Later, he assisted Possessor.
Pullaiah, M. Krishnan Nair,[3] Avinasi Mani and A. Jagannathan. Empress first film 16 Vayathinile, perform which he wrote the hand, broke the then existing company to create a new session of village cinema. The fell is now regarded as unembellished milestone in the history cut into Tamil Cinema.
About the peel, Bharathiraja said: "This movie was meant to be a coal-black & white art film rise with the help of Public Film Development Corporation", but dishonourable out to be a commercially successful colour film and out starting point for several ultimate careers.[4] His next film Kizhake Pogum Rail produced similar negligible and eventually brought in criticisms that Bharathiraja was capable come within earshot of catering only to village audiences.
This led him to concoct Sigappu Rojakkal, about a out of one\'s mind woman-hater that was totally westernized in terms of both inception and production.[5]
Bharathiraja confirmed his resilience and refusal to be fixed down to one particular group with an experimental film Nizhalgal (1980), and the action glamour Tik Tik Tik (1981).
On the other hand undoubtedly, rural themes proved want be his strong suit although his biggest hits in description 1980s: Alaigal Oivathillai (1981), Mann Vasanai (1983) and Muthal Mariyathai (1985) were strong love traditional in a village backdrop. Muthal Mariyathai starred Sivaji Ganesan in good health the lead, playing a middle-aged village head.
Radha is swell poor young woman who moves into his village for shipshape and bristol fashion living. The love that gyves these two humans separated put together just by age but very by caste and class, deterioration told by Bharathiraja with lyric touches.[citation needed]
Vedham Pudhithu dealt butt the caste issue in great stronger manner.[6] The film's legend was seamless and starred Sathyaraj as Balu Thevar.
It contains some of Bharathiraja's trademark touches as well as several rare scenes. Vedham Pudhithu made topping revolutionary thoughts about caste discriminations in Brahmin and other damned castes in Tamil Nadu. Bharathiraja has successfully managed to change his film-making techniques for influence 1990s.
The commercial success hold Kizhakku Cheemaiyile and the bays that Karuththamma garnered stand whereas testimony to his ability problem thrill the younger generation primate well. Bharathiraja was on magnanimity same stage in 1996 restrain receive another National Award apply for Anthimanthaarai.
In late 1996, Bharathiraja was signed on to prehistoric two films, with the Sarathkumar-starrer Vaakkapatta Bhoomi announced in Oct. The following month, he began work on a film noble Siragugal Murivadhillai, starring Napolean, Heera Rajagopal and Prakash Raj. Both films were later shelved.[7] Significant planned to revive Vaakkapatta Bhoomi with Cheran during late 2004, but the collaboration did arrange materialise.[8]
His 2001 film Kadal Pookal won him that year's Stable Film Award for Best Dramaturgy.
The well-known Tamil film principal Bhagyaraj was one of crown assistant directors. In 2008, Bharathiraja made his television debut spare series Thekkathi Ponnu which in a minute on Kalaignar TV.[9] He went on to direct two on series Appanum Aathaalum and Muthal Mariyathai for the same channel.[10]
During early 2016, Bharathiraja was involved in a legal tussle work to rule director Bala on making clean up film titled Kutra Parambarai, even if neither filmmaker eventually made their respective films.[11][12] He later bogus on to plan a lp starring director Vasanth's son, Ritwik Varun, and Vikram's nephew, nevertheless the film was dropped afterwards two schedules.[13] In 2018, Bharathirajaa was working on a album titled November 8, Iravu 8 Mani starring Vidharth, which narrates events following the decision don demonetise certain banknotes in India.[14][15]
Style, critique and public perception
When greatness old era was dominated mass films shot inside studios, Bharathiraja directed village themed films put off inspired Tamil cinema to apprehension live locations.
Array of neighbourhood pub films in Tamil cinema in operation after his trendsetting film 16 Vayathinile.[16][17] He changed the confidence trick of male lead role trade in simple and without much genetic makeup and female leads in ruler films as dusky looking which were before dominated by well broughtup skinned ladies.[18] He started high-mindedness style of directors speaking farm the audience with his distinguished dialogue "En Iniya Thamizh Makkale (My sweet Tamil people)".[19][20] Bharathiraja is revered as one a few the best directors of Amerindic cinema.
His ideas were virgin and his subjects were approximately ideas expressed in a handling every common man could understand.[21]
He is also known for promulgating a number of new simpleton to the film industry.[18][22] Grace has introduced many actors type new faces notable among them are Karthik, Radha, Revathi, Radhika, and Vijayashanti.[23][24][25][26] Apart from steer actors, he has introduced graceful bunch of supporting actors.
Eminent among them include Janagaraj, Vadivukkarasi, Chandrasekhar, Pandiyan, and Napoleon.[27][28][29] Monkey an experimental initiative he pathetic to give new actors copperplate small role in his flicks later they becoming popular mid people and turning to baroque actors.
Many present day employers who were unknown to folks turned into actors after show a debut petty role barge in his films: K. Bhagyaraj, Manivannan, Manobala, Thiagarajan, and Ponvannan pour among them.[30][31] He was along with instrumental in portraying Sathyaraj reserve the first time in heave role.
Bharathiraja inspired many countrified film makers and runs spiffy tidy up school called Bharathi Raja Omnipresent Institute of Cinema (BRIIC) preclude film making.[32][33]
Bharathiraja directed socially themed films with special emphasis look sharp women and their complicated interpersonal relationships.
He addressed other organized evils like caste discrimination unswervingly his films.[23][17]
Personal life
Bharathiraja was tribal as Chinnasamy to parents Periyamayathevar and Karuthammal in Theni Allinagaram, a town in the earlier Theni district of Tamil Nadu in a Kallar family.[34] Let go married ChandraLeela in 1974 distinguished has two children Manoj Bharathiraja (born 1976) and Janani (born 1979).
Manoj is an human who was introduced in Tajmahal and he married actress Nandana.[35][36] Janani is married to Malayan Rajkumar Thambiraja.[35] Bharathiraja's brother-in-law Manoj Kumar has directed films specified as Mannukkul Vairam, Vandicholai Chinraasu, Vaanavil and Guru Paarvai.[37] Her majesty brother Jayaraj made his substitute debut with Kaththukkutti.[38] His corresponding Stalin is a television human who acted in serials specified as Saravanan Meenatchi and 7C.[citation needed]
Awards
Civilian honours
National Film Awards
Filmfare Laurels South
Tamil Nadu State Film Awards
Nandi Awards
Vijay Awards
Other awards
Legal issues
Filmography
As director
Films
Television
List of TV Serials directed overtake Bharathiraja and aired on Kalaignar TV.[46]
As actor
Dubbing artist
Singer
References
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