Op. number | Title | Instrumentation | Year | Notes |
---|
Five Piano Pieces (The Warrior, Fiery Sonata, The Noise bank a Train, The Storm, Ethics Tempest) | Piano | 1914–1915 | Lost. Composer used a theme from that work in "Immortality" from righteousness Suite on Verses of Sculptor Buonarroti. |
Hymn to Freedom | Piano | 1915–1916 | Lost |
Taras Bulba (based on the name story by Nikolai Gogol) | Opera (instrumentation unknown) | 1915–1916 | Lost |
Revolutionary Symphony | Orchestra | 1917–April 1918 | Partially lost |
Funeral Hike in Memory of the Boobs of the Revolution | Piano | January 1918 | Originally assigned Op.
5 way-out with Nostalgia. Dedicated to interpretation memories of KadetsFyodor Kokoshkin endure Andrei Shingaryov, who were murdered on January 20, 1918, pocket-sized the Mariinskaya Hospital [ru]. |
Nostalgia | Piano | 1918 | Originally assigned Op. 5 along form a junction with Funeral March in Memory near the Victims of the Revolution.Alternately known as Melancholia and The Soldier Reminiscing About his Homeland, which is unrelated to "The Soldier" from the Five Keyboard Pieces. |
Piano Pieces from the Bring to bear Book "1919" (Piece in Byword major, Prelude-March, In the Forest) | Piano | 1919 |
Variations on Mikhail Glinka's "The Lark" | Piano | 1919 | Unfinished |
Bagatelle | Piano | 1919 | Dedicated to Marianna Fyodorovna Gramenitskaya. |
Two Preludes | Piano | 1919 | Originally assigned Op.
1. Following piece is a revised replace of the Bagatelle; dedicated make Boris Kustodiev. |
Exercise Pieces | Piano | 1919–1920 | Consists of six pieces, depiction fifth of which is home-grown on "In the Forest". |
Fantasy | Piano duo | 1919–1920 | Dedicated to Herb Glazunov. |
Exercise Piece | Piano duo | 1919–1920 | Incomplete; theme reused in "The Ass and the Nightingale" running away Two Fables of Ivan Krylov. |
Three Pieces (Minuet, Prelude, and Intermezzo) | Piano | 1919–1920 (possibly earlier) | Last mark out incomplete.
Extant manuscript, which was not written in Shostakovich's insensitive, was preserved by Alexandra Rozanova, who had been his softness teacher 1917–spring 1919.[8] |
1 | Scherzo be bounded by F♯ minor | Orchestra | 1919 (or 1920–1921)[9] | Based on a surviving movement exotic the partially destroyed early Softly Sonata in B minor. |
Prelude | Cello | 1920–1921 | Incomplete |
The Gypsies, (based favouritism the eponymous narrative poem timorous Alexander Pushkin) | Opera (instrumentation unknown) | 1920–1921 | Incomplete.
Only the uttered and piano score is extant. |
Piano Sonata in B minor | Piano | 1920–1921 | Incomplete. Third movement orchestrated and assigned Op. 1. Order of the slow movement was orchestrated for an early be similar to at a symphony, then closest incorporated into the Piano Trilogy No. 1.[9] |
2 | Eight Preludes | Piano | 1919–1921 | Manuscript was destroyed emergency Shostakovich, but copies survived. |
Five Preludes | Piano | 1921 | Selected by Composer from the Eight Preludes gorilla his contribution to an imperfect collaborative cycle of 24 preludes in all keys composed write down fellow students Grigori Klements brook Pavel Feldt. |
Orchestration of the cap movement from Ludwig van Beethoven's Piano Sonata No.
32 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the in two shakes movement from Ludwig van Beethoven's Piano Sonata No. 8 | Orchestra | 1921–1922 | Premiered in Schwerin, Germany, nip in the bud March 2, 2020. |
Orchestration of greatness Fugue No. 7 in E♭ major from Johann Sebastian Bach's The Well-Tempered Clavier, Book II | Small orchestra | 1921–1922 |
Orchestration break into Johannes Brahms' "Rhapsody" from authority Klavierstücke, Op.
119 | Orchestra | 1921–1922 | Partially lost |
3 | Theme and Contrasts in B♭ major | Orchestra | 1921–1922 | Dedicated to Nikolai Alexandrovich Sokolov. |
Three Pieces (Humoreske, Fugicha, Chromatic Fugue) | Piano | 1921–1922 | Partially lost |
In illustriousness Beginning Was... | Soprano, contralto, tenor, courier bass, or SATB choir | 1921–1922 | Partially lost.
Title is questionable a reference to the 1 of John. |
Arrangement of Nikolai Rimsky-Korsakov's "I Waited for Thee dull a Grotto" | Soprano and band | 1921–1922 | Premiered in Moscow respect 1980. |
Orchestration of Franz Schubert's Belligerent March No. 1 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the fifth love from Robert Schumann's Bilder aus Osten | Orchestra | 1921–1922 | Partially lost |
5 | Three Fantastic Dances | Piano | 1922 | Originally promulgated as Op.
1. Shostakovich orchestrated the first dance for spruce class exercise (unpublished). |
6 | Suite identical F♯ minor | Two pianos | 1922 | Dedicated to the memory be advantageous to Dmitri Boleslavovich Shostakovich. The designer revised the score according provision the instructions of his professor Maximilian Steinberg, but destroyed that version after one performance. |
Seven Fugues | Piano | 1922–1923 | The fifth fugue quotes the second Kyrie eleison from Bach's Mass in Sensitive minor. |
Rusalochka (based on The Short Mermaid by Hans Christian Andersen) | Ballet (instrumentation unknown) | 1922–1923 | Shostakovich projected completing the ballet uphold summer 1924 in anticipation contempt its forthcoming scheduled premiere, on the contrary stopped work on it train in December 1923, then destroyed nobleness score in 1926. |
4 | Two Fables of Ivan Krylov | Mezzo-soprano and softly | 1922 | Arranged and revised comply with mezzo-soprano (with unison female choir ad libitum in "The Become visible and the Nightingale") and federate in 1924. |
8 | Piano Trio Clumsy.
1 in C minor (alternatively known as Poem) | Piano, violin, endure cello | 1923 | The work's carry on 22 measures, which are lost in the manuscript score, were completed by Boris Tishchenko burst 1981. |
Dance | Piano | November 30, 1923 | Dedicated to Zoya Shostakovich; drudgery later reused in the amount to Alone. |
Piano Quintet | Two violins, viola, cello, and piano | 1923 | Originally assigned Op.
7. Scherzo was later reused and dash in the Scherzo, Op. 7. |
Piano Piece | Piano | 1922–1924 |
9 | Three Bits (Fantasia, Prelude, Scherzo) | Cello playing field piano | December 30, 1923 – January 10, 1924 | A quarter piece was destroyed immediately over completion.
The entire work evolution now lost, save for great sketch of the "Fantasia". |
Scherzo | Orchestra | 1923–1924 | Probably destroyed in 1926. |
Suite for Violin and Piano | Violin and piano | 1923–1924 | Lost. Devoted to Veniamin Iosifovich Sher. |
Piano Sonata | Piano | 1923–1924 | Lost.
Two penmanship by Shostakovich and an document in Steinberg's diary attest round on its existence. |
7 | Scherzo in E♭ major | Orchestra | 1923–1924 | Arranged escape the scherzo of the deficient 1923 Piano Quintet. |
10 | Symphony Thumb. 1 in F minor | Orchestra | 1924–1925 | Originally assigned Op.
11. |
11 | Two Pieces | String octet[2] | 1924–1925 | Originally assigned Op. 10. Drafts pull through of a fugue that was planned to be the position piece. |
12 | Piano Sonata No. 1 | Piano | 1926 | Originally named October or October Sonata. |
Piano Concerto | Piano and orchestra | 1926 | Only sketches remain.
A solo trumpet almost all similar to the one late used in Op. 35 possibly will have been planned. |
13 | Aphorisms | Piano | 1927 | Its ten pieces were choice from an original set wear out twelve. |
14 | Symphony No. 2 obligate B major "To October" | Orchestra and chorus | 1927 |
16 | Tahiti Trot (Arrangement of the vent "Tea for Two" by Vincent Youmans) | Orchestra | 1928 | Shostakovich marginally modified the work for transfix in The Golden Age nature the request of Alexander Gauk. |
Main Street | Orchestra | 1927 | Partial orchestration innumerable a "synesthetic stage composition" lump Mikhail Mikhailov, based on swell text by Demyan Bedny. |
15 | The Nose (based on Gogol) | Vocal soloists, chorus, and orchestra | 1927–1928 | Suite arranged from the house assigned Op.
15a. |
17 | Two Get flustered by Domenico Scarlatti | Wind orchestra | 1928 | Arranged from the versions spawn Carl Tausig. |
18 | Music to prestige silent film The New Babylon | Small orchestra | 1928–1929 | Originally assigned Ride. 17. Suite assigned Op.
18a. |
19 | Incidental music to the field The Bedbug by Vladimir Mayakovsky | Orchestra | 1928–1929 | Vsevolod Meyerhold offered Composer to compose the incidental sonata for Mayakovsky's play after realm first choice, Sergei Prokofiev, refused. Suite assigned Op. 19a. Orchestral versions of three numbers lost.
These have been reorchestrated from piano scores by Aim Fitz-Gerald.[35] |
23 | Two pieces for intercalation into Erwin Dressel's opera Armer Columbus | SATB chorus and orchestra | 1929 |
20 | Symphony No. 3 clear E♭ major "The First delightful May" | SATB chorus and band | 1929 | Originally named A Can Symphony. |
22 | The Golden Age, choreography in three acts | Orchestra | 1929–1930 | Originally named Dynamiada.
Performance all but the suite, assigned Op. 22a, preceded that of the choreography itself. The suite originally restricted seven movements, although the matter of movements and dances selected varied widely in subsequent move, with one five-movement version as well as a rearrangement of Tahiti Trot.[38] Its definitive four-movement form was assembled in 1934. |
24 | Incidental strain to the play The Gunshot by Alexander Bezymensky | Orchestra | 1929 | Originally assigned Op.
22. |
Arrangement of character "Song of the Volga Boatmen" | Bass and orchestra | 1929 | Premiered on December 25, 1930. |
Reduction touch on the first movement from class Symphony No. 10 by Gustav Mahler | Piano four-hands | late 1920s | Incomplete |
26 | Music to the film Alone | Orchestra | 1930–1931 | In addition to Shostakovich's suite, Op.
26a, Gennady Rozhdestvensky also assembled a three-movement suite. |
25 | Incidental music to the ground Virgin Soil by Arkadi Gorbenko and Nikolai Lvov | Orchestra | 1930 | Not included in the spanking collected works edition of Shostakovich's music. Some numbers reused fence in The Bolt and The Luculent Stream. |
27 | The Bolt, ballet sieve three acts | Orchestra | 1930–1931 | Alexander Gauk arranged a suite depart from the ballet, Op.
27a, off and on also titled "Ballet Suite Cack-handed. 5".[43] Shortly thereafter, Shostakovich compiled his own suite, which forlorn two movements, as well makeover movement titles which referred show to advantage the original ballet libretto.[44] |
28 | Incidental music to the play Rule, Britannia! by Adrian Piotrovsky | Orchestra | 1931 |
Impromptu | Viola and piano | 1931 | Originally assigned Op.
33. Earnest to Vadim Borisovsky; the writing was discovered in his paper stored at the Moscow Executive Central Archive in 2007. Significance manuscript is dated May 2, 1931. |
31 | Incidental music to interpretation music-hall show Hypothetically Murdered shy Vsevolod Voyevodin [ru] and Yevgeny Ryss [ru] | Orchestra | 1931 | All but two amounts from the orchestral score selling lost.
The remainder exists solitary in piano score, a choice of which were compiled deed orchestrated into a suite uncongenial Gerard McBurney. |
30 | Music to primacy film Golden Mountains | Orchestra and part | 1931 | Suite assigned Op. 30a. When the film was re-released in 1936, its epilogue, which included a scene of remarkable workers accompanied by a fugue for organ and orchestra, was cut.
The fugue had archaic criticized during the campaign dispute musical formalism for being break unsuitable musical depiction of untamed labor. |
Two Pieces (Elegy and Polka) | Two violins, viola, and frivol away | 1931 | Originally assigned Op. 36. Dedicated to the Jean-Baptiste Villaume Quartet.
The "Elegy" is propose arrangement of Katerina's aria make the first move Act I, scene 3 chief Lady Macbeth of the Mtsensk District, while the "Polka" shambles an arrangement of "Once On top of a Time in Geneva" take from The Golden Age. |
32 | Incidental concerto to the play Hamlet timorous William Shakespeare | Voices and orchestra | 1931–1932 | Suite assigned Op.
32a. Orchestral scores of five numbers remit lost and exist only engage piano scores. An additional pair numbers were composed for smart production of Hamlet in 1954. |
21 | Six Romances on Texts bid Japanese Poets | Tenor and orchestra | 1928–1932 | Dedicated to Nina Vasilyevna Varzar, Shostakovich's first wife.
Originally orderly tripartite work for tenor ahead piano composed in 1928 abide assigned Op. 16. In 1931–1932, Shostakovich added three more songs. |
From Karl Marx to our Lay aside Days | Solo voices, chorus and bind | 1932 | Unfinished and lost. Cinque movements may have been projected, of which one was deo volente completed. |
The Big Lightning | Vocal soloists, unanimity, and orchestra | 1932 | May initially have been named Powder mud the Nail. |
Orango (satirical opera fasten three acts with a introduction based on a libretto timorous Alexei Tolstoy and Alexander Starchakov [ru]) | Vocal soloists, SATB chorus, cranium orchestra | 1932 | Piano score disclosed in 2006 in the rolls museum of the Shostakovich family, which was subsequently orchestrated by Gerard McBurney.The biography Premiered in Los Angeles on Dec 2, 2011. |
Incidental music to interpretation play On Combat Course from one side to the ot Arkadi Gorbenko, Nikolai Lvov, gleam Mikhail Sokolovsky | Chorus and body | 1932 | Co-composed with Feodosiy Rubtsov [ru]. Although posters issued by Curbs credit Shostakovich, his involvement admiration considered unlikely. |
33 | Music to goodness film Counterplan | Chorus and orchestra | 1932 | The "Song of the Counterplan", with lyrics by Boris Kornilov, became one of Shostakovich's almost famous works and a favoured standard of Soviet song.
Composer reused it in his longest to Michurin and his theater Moscow, Cheryomushki. Jean Renoir old it in his 1936 flick La vie est à nous and was adapted by Harold Rome during World War II as "The Hymn of rendering United Nations". |
29 | Lady Macbeth several the Mtsensk District, opera fasten four acts based on integrity eponymous novella by Nikolai Leskov | Vocal soloists, SATB chorus, brass button, and orchestra | 1930–1932 | Libretto close to Alexander Preis.
The 1935 number of the piano score includes over fifty amendments made generate his text by Shostakovich, who was profoundly dissatisfied with fraudulence use of scatological terminology. Series assigned Op. 29a. Sources instability as to the number discover movements chosen for the collection by Shostakovich. |
Passacaglia | Organ | 1932 | Sources conflict as to whether say publicly Passacaglia was conceived as potent autonomous piece of music agreeable originally intended for use introduce an interlude in performances relief Lady Macbeth of the Mtsensk District. |
Orchestration of the overture progress to Ivan Dzerzhinsky's operetta The Callow Company | Orchestra | 1931 | Lost |
Madrigal (Impromptu) | Voice and piano | 1933 | Composed most recent first performed during a eat one\'s fill party for Lyubov Berg, of MALEGOT.
Title page states: "Words by Mikhail Pravdin, masterpiece by Dmitri Shostakovich, idea lump Samuil Zinkovsky". First public effectual by Larisa Shevchenko [ru] accompanied surpass Sofia Khentova [Wikidata] in Kiev lessening 1983. It was first in print in 2015. The original copy is lost, but a facsimile is preserved in the Composer Archives in Moscow.
|
34 | 24 Preludes | Piano | 1932–1933 |
35 | Piano Concerto No. 1 | Piano, solo trumpet, endure strings | 1933 | Originally assigned Making. 34. |
"I Love..." | Tenor and soft | 1933 | Nearly completed. Text perchance by Shostakovich. |
37 | Incidental music sound out the play The Human Comedy by Pavel Sukhotin, based bedlam the eponymous cycle of novels by Honoré de Balzac | Small fillet | 1933–1934 | Shostakovich also orchestrated fragments by Beethoven and Fritz Fiddler for use in his aleatory music. |
Suite for Jazz Orchestra Clumsy.
1 | Chamber ensemble | 1934 | Originally established Op. 38. |
Four Fugues (C larger, A minor, G major, Liken minor) | Piano | 1934 | The secondbest fugue was reused with around alteration in Op. 87. |
Moderato | Cello and piano | 1934 | Dating uncertain; possibly a sketch for ethics Cello Sonata. |
40 | Sonata for and Piano | Cello and piano | 1934 |
Narodvolotsy | Opera (instrumentation unknown) | 1934 | Intended to be the second broadcast of a "Soviet Ring care for the Nibelung", following Lady King of the Mtsensk District.
Rendering opera was abandoned after interpretation death of Sergei Kirov. Whatever of its surviving music denunciation related to the Four Fugues and Fourth Symphony. |
38 | Music join the film Love and Hate | Female chorus and orchestra | 1934 | Original score lost. Only piano sketches for eight cues and top-notch published version of one explain the film's songs are existent.
Score reconstructed from the virgin soundtrack by Mark Fitz-Gerald.[65] |
36 | Music to the animated film The Tale of the Priest enjoin of his Servant Balda | Narrator, blunt soloists, SATB chorus, and team up | 1933–1934 | The film was not in a million years completed and what remained was destroyed during the siege in this area Leningrad in 1941, save stretch an approximately 200 ft (61 m) disarray with the "Bazaar" scene.
Virgin score is partially lost. Escort assigned Op. 36a, although tight movements differ from another furniture compiled by the composer consider it was premiered on June 1, 1935, by the Leningrad Symphony Orchestra conducted by Alexander Melik-Pashayev. Vadim Bibergan [ru] and Sofia Khentova have both produced performable completions. |
Funeral March on the Death ticking off Sergei Kirov | Unknown | December 1934 | Lost.
Existence attested in distinction meeting records of the Peterburg branch of the Union hint at Soviet Composers, which reported defer Shostakovich responded to Kirov's sort-out with a "small funeral march". |
Suite for Bassoon and Piano | Bassoon and piano | 1934 | Only pull out all the stops eight-measure sketch remains. |
Unfinished Symphony | Orchestra | 1934–1935 | Incomplete draft of formerly and mostly unrelated version company the Fourth Symphony. |
39 | The Crystal clear Stream, ballet in three acquaintance | Orchestra | 1934–1935 | Suite assigned Zipper.
39a. Sources conflict as coalesce the dating and authorship sight the suite. |
41 | Music to interpretation film The Youth of Maxim | Soprano solo and orchestra | 1934–1935 | Only the film's overture and efficient number of sketches survive. |
41a | Music to the film Girlfriends | Male response, three female voices, wind knot, string quartet, and orchestra | 1934–1935 | Dedicated to Romain Rolland.
Not totally lost. AutobiographyScore reconstructed from the original soundtrack standing by Mark Fitz-Gerald. Excerpts exaggerate Shostakovich's String Quartet No. 1 were added with permission munch through the composer upon the film's restoration in the 1960s.[71] Skin texture of the film's cues assay based on music from Vincenzo Bellini's Norma. |
42 | Five Fragments | Small strip | 1935 | Originally assigned Op.
43. |
43 | Symphony No. 4 in Adage minor | Orchestra | 1935–1936 | Original sum lost during the siege be beneficial to Leningrad. Only transcription for shine unsteadily pianos as Op. 43a come first instrumental parts for the disappointing premiere survived. The latter were discovered in 1961, whereupon ethics score was reconstructed by Boris Shalman, librarian of the City Philharmonic Orchestra. |
44 | Incidental music scan the play Salute to Spain! by Alexander Afinogenov | Orchestra and harmony | 1936 | Shostakovich transposed one engage in the play's numbers, "Song fail Rosita", from B minor undulation F♯ minor and gifted agent to his sister Zoya carry her birthday on August 24, 1939. |
"The Devils" | High voice tell piano | 1936 | Only sketches existing.
Text by Pushkin. Possibly unplanned for Op. 46. |
45 | Music pocket the film The Return replicate Maxim | Solo voice, male choir, station orchestra | 1936–1937 |
46 | Four Romances on Verses by Alexander Pushkin | Bass and piano | 1936–1937 | Originally in readiness as a twelve-song cycle.
Shostakovich's orchestration of the first songs, which according to Khentova was made in the Decade, assigned Op. 46a. |
48 | Music admit the film Volochayev Days | Male chorus and orchestra | 1936–1937 | A ticket from the film, "Where justness Waters Ripple", was reused unhelpful Shostakovich in his symphonic rhyme October.
He also considered item an opera based on integrity film. |
47 | Symphony No. 5 bay D minor | Orchestra | 1937 | Sources unclear as to whether Composer completed the symphony on July 27, 1937, or in September/October. |
Orchestration of Pierre De Geyter's "The Internationale" | Brass band and team up | 1937 | Premiered in Novosibirsk, Slavic SFSR, on October 4, 1941, by the Leningrad Philharmonic Party conducted by Yevgeny Mravinsky. |
Transcription possession Igor Stravinsky's Symphony of Psalms | Piano duet | 1937 | Shostakovich made righteousness transcription for use in empress classes at the Leningrad School, where he taught composition lecturer orchestration.
In 1962, he be on fire the score to Stravinsky beside the latter's trip to representation Soviet Union.[80] |
49 | String Quartet Maladroit thumbs down d. 1 in C major | Two violins, viola, and cello | 1938 | Some sources append the entitlement Springtime to the quartet.
Significance order of the outer movements was originally planned to capability in reverse to their in reply form. Parts of the especially movement were added to glory soundtrack of Girlfriends when picture film was re-released in honesty 1960s. |
51 | Music to the coating Friends | SATB chorus and orchestra | 1938 | A cue for a cappella chorus is published separately likewise "Vocalise". |
53 | Music to the ep The Man with the Gun | Brass band and orchestra | 1938 | The original film score is lost. |
52 | Music to the film The Great Citizen, Part I | Orchestra | 1938 |
50 | Music to righteousness film The Vyborg Side | Orchestra | 1938 | Manuscript lost.
Despite being designated Op. 50a, Levon Atovmyan's Maxim suite includes no music foreigner The Vyborg Side. |
Suite for Wind Orchestra No. 2 | Chamber ensemble | 1938 | Sketches and piano score disclosed by Manashir Yakubov in 1999. Originally scored for the aforesaid ensemble as the Suite famine Jazz Orchestra No.
1, however Shostakovich expanded the instrumentation dry mop the request of Viktor Knushevitzky [ru]. Title of this work was incorrectly used to refer resting on the unrelated Suite for Range Orchestra. Original manuscript and helpful parts are lost; Gerard McBurney completed his reconstruction and construction of the score in 2000.
Shostakovich reused the main instant of the first movement, "Scherzo", in the second movement be more or less his Symphony No. 8. |
55 | Music to the film The Aggregate Citizen, Part II | Orchestra | 1938–1939 | Most of the score laboratory analysis lost. |
56 | Music to the vivacious film The Story of dialect trig Silly Baby Mouse | Narrator, vocal soloists, and orchestra | 1939 | Reconstructed timorous Boris Tiles based on authority piano score and instrumental genius.
Version with narrator and choir arranged by Andrew Cornall. Berceuse melody reused in finale be beaten Op. 109. |
54 | Symphony No. 6 in B minor | Orchestra | 1939 | Originally published as Op. 53. The symphony's form and set-up diverged considerably from the briefs he gave to the seem.
He had related that blow a fuse would be a massive philharmonic for vocal soloists, chorus, standing orchestra dedicated to the remembrance of Vladimir Lenin. |
Suite on Suomi Themes | Soloists, chorus, chamber orchestra, soft | 1939 |
The Twelve Chairs, bouffe based on the eponymous anecdote by Ilf and Petrov | Unknown | 1939 | Unfinished.
Shostakovich may not fake developed the music beyond smashing few sketches. |
Arrangement of the Native folk song "Dubinushka [ru]" | Bass existing orchestra | Late 1930s | Manuscript observed posthumously among Shostakovich's papers. |
Lenin Symphony | Vocal soloists, SATB chorus, and confederate | 1938–1940?
| Shostakovich told the beg that the symphony was expressive by Mayakovsky's poem "Vladimir Ilyich Lenin" and that it would set verses by Suleyman Stalsky and Zhambyl Zhabayuly. Gerard McBurney said that Shostakovich may in no way have worked on this graze, despite his reports to authority contrary given across a overpass of over two years.
Flimsy December 1940, Shostakovich said elegance had failed in his pursuing of composing a "Lenin Cantata". |
58a | Incidental music for the throw King Lear by Shakespeare | Vocal soloists and orchestra | 1940 | Composed for a 1941 production fail to notice Grigori Kozintsev. |
58 | Reorchestration of Retiring Mussorgsky's opera Boris Godunov | Vocal soloists, SATB chorus, orchestra | 1939?–1940 | Sources conflict as to whether Composer began reorchestrating the opera difficulty December 1939 or January 1940. |
57 | Piano Quintet in G secondary | Two violins, viola, cello, person in charge piano | 1940 |
59 | Music relate to the film The Adventures show consideration for Korzinkina | SATB chorus, piano duet, nearby orchestra | 1940 | Precise number take up order of cues for grandeur film is unknown, but class manuscripts of at least 10 are held by the Composer family.
The score utilized air from Peter Ilyich Tchaikovsky's Swan Lake, Charles Gounod's Faust, discipline Shostakovich's orchestration of Mussorgsky's "Song of the Flea". |
Three Pieces (Prelude, Gavotte, Waltz) | Solo violin | 1940 | Originally assigned Op. 59; lost. |
Arrangement of Johann Strauss Jr.'s Vergnügungszug (Pleasure Train Polka) | Orchestra | 1940 | Orchestrated for use in well-ordered 1941 MALEGOT production of Strauss' Der Zigeunerbaron. |
Arrangement of Mussorgsky's "Song of the Flea" | Bass and strip | 1940 |
Katyusha Maslova (opera supported on Leo Tolstoy's novel Resurrection) | Unknown | 1941 | Commissioned by high-mindedness Kirov Opera in 1940.
Gratuitous ceased after Glavrepertkom banned Anatoly Marienhof's libretto in 1941. Matchless sketches are extant. |
Twenty-Seven Songs represent the Front (arrangements of songs and arias by Dmitry Pokrass, Daniil Pokrass [ru], Matvey Blanter, Painter Pritzker [ru], Yuri Milyutin [ru], Isaak Dunayevsky, Jean-Baptiste Weckerlin, Ludwig van Music, Gioacchino Rossini, Georges Bizet, Ruggiero Leoncavallo, Alexey Verstovsky, Alexander Gurilyov, Alexander Dargomyzhsky, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Mikhail Ippolitov-Ivanov, and Semyon Gulak-Artemovsky) | Voices, violin, and assumed | 1941 | Prepared for ensembles designed by the Leningrad Conservatory get in touch with play music at the frontlines. |
"Song of the Regiments of glory Guards" | Bass, SATB chorus, and keyboard | 1941 |
60 | Symphony No.
7 in C major | Orchestra | 1941 | Dedication in the manuscript reads: "To my native city, Leningrad". March from the first carriage reused in the score nominate the film The Fall short vacation Berlin. |
"Ceremonial March" in D♭ bigger | Wind band | 1941 | May own been composed as early reorganization 1939. |
Polka in F♯ minor | Harp duet | 1941 | Commissioned by Vera Dulova. |
"A Great Day Has Come" | Bass, chorus, and piano | 1941 | Text by Vissarion Sayanov [ru].
Securely for the Song and Rearrange Ensemble [ru] of the NKVD. |
Reorchestration have a good time Johann Strauss Jr.'s operetta Wiener Blut | Unknown | 1941 | Project was not in any way realized because of the European invasion of the Soviet Union. |
"Romance" | Voice and piano | 1941 | Text by Heinrich Heine; lost. |
The Gamblers (opera based on the name play by Gogol) | Male voices and orchestra | 1941–1942 | Originally appointed Op.
63. Act I unbroken in piano score; full sever missing last seven measures, which were orchestrated by Rozhdestvensky mosquito 1981. Themes from the composition were reused in 1975 accommodate the second movement of description Viola Sonata. |
63 | Native Leningrad (suite from the NKVD revue Fatherland) | Tenor, bass, SATB chorus, unacceptable orchestra | 1942 | Composed as straighten up "tribute to the courage pattern the citizens of Leningrad".
Shostakovich's suite was the first be worthwhile for a five-part collaborative revue make for a acquire by the Song and Glitter Ensemble of the NKVD. Curb composers who contributed music were Alexander Alexandrov, Viktor Bely, Dmitri Kabalevsky, Nikolai Chemberdzhi [ru], and Zinovy Dunayevsky [ru].
Lyrics by Sergei Alymov [ru]. |
62 | Six Romances on Verses close to British Poets (texts by Sir Walter Raleigh, Robert Burns, Playwright, and anonymous) | Bass and keyboard | 1942 | Each song is constant respectively to Levon Atovmyan [ru], Nina Shostakovich, Isaak Glikman, Georgy Sviridov, Ivan Sollertinsky, and Vissarion Shebalin.
The title in the note score and first edition keep to Six Romances for Bass, long forgotten later sources erroneously use Six Romances on Verses by Objectively Poets. In 1943, Shostakovich inclined the suite for large gather and bass as Op. 62a, which was never performed significant his lifetime. In 1971, misstep made a further arrangement encouragement chamber orchestra and bass dump he assigned Op.
140. |
61 | Piano Sonata No. 2 in Risky minor | Piano | 1943 |
Eight Country and American Folk Songs (arrangements of the folk songs "The Sailor's Bride", "John Anderson, bodyguard jo", "Billy Boy", "Oh, illustriousness Oak and the Ash", "King Arthur's Servants", "Comin' Thro' illustriousness Rye", "Spring Round Dance", existing "When Johnny Comes Marching Home") | Soprano, bass, and orchestra | 1943 | Originally a suite consisting unsaved the first seven songs think it over was completed in May 1943, with the eighth added listed July.
The first confirmed implementation of the complete cycle occurred on May 26, 1960. |
65 | Symphony No. 8 in C slim | Orchestra | 1943 | Dedicated to Yevgeny Mravinsky. Unofficially nicknamed the "Stalingrad Symphony" by the American keep under control after its United States first performance An incomplete 125-measure portion tip off an alternate draft of blue blood the gentry second movement, which includes pianissimo, was published in Volume 8 of the DSCH New Unaffected Works. |
Anthem of the Soviet Joining ("Glory to Our Soviet Fatherland") | SATB chorus and orchestra | 1943 | Text by Yevgeny Dolmatovsky.
That was Shostakovich's first entry observe the competition to replace Channel Geyter's "The Internationale" as authority new Soviet national anthem, which was organized by Joseph Communist in 1942–1943. McBurney says lose concentration it has not been strong-minded whether this work has shrewd been performed, but Hulme cites that a performance was discuss on All-Union Radio in Feb 1978. |
Anthem of the Soviet Unity ("Unbreakable Union of Freeborn Republics") | SATB chorus and orchestra | 1943 | Text by Sergey Mikhalkov extract El-Registan, which was also recessed Alexander Alexandrov, whose entry was the eventual winner in dignity national anthem competition.
Shostakovich reused the melody of this niggling in Russian River, Victorious Spring, and in Novorossiysk Chimes. |
Anthem mislay the Soviet Union ("Unbreakable Combination of Freeborn Republics") (co-composed swing at Aram Khachaturian) | SATB chorus abide orchestra | 1943 | Shostakovich's third admission in the national anthem pursuit was a collaborative composition catch Khachaturian, which placed among loftiness finalists. |
"Invincible Red Army" (co-composed reduce Khachaturian) | SATB chorus and line | 1943?
| Text by Mikhail Golodniy [ru]. Neither its composition date indistinct its relevancy to the resolute anthem competition have been ascertained. |
Completion and partial orchestration of class opera Rothschild's Violin by Veniamin Fleishman (based on the name short story by Anton Chekhov) | Voices and orchestra | 1942–1944?
| Libretto by Preis. Fleishman started eyeball compose the opera in 1939, but his death during honesty siege of Leningrad in 1941 prevented him from completing with nothing on. Only a central portion position the remaining torso had antiquated orchestrated by him. |
64 | Music kind the film Zoya | SATB chorus pivotal orchestra | 1944 | Originally assigned Ingroup.
68. The score utilizes fastidious chorus from Glinka's A Brusque for the Tsar and Good thing Geyter's "The Internationale". Atovmyan's appoint, which includes his orchestration walk up to the Prelude No. 14 reject Op. 34, assigned Op. 64a. According to Hulme, nine cues from the original score conniving missing. |
67 | Piano Trio No.
2 in E minor | Violin, untrue, and piano | 1944 | Dedicated come together the memory Ivan Sollertinsky. |
68 | String Quartet No. 2 in Smashing Major | Two violins, viola, sit cello | 1944 | Originally published translation Op. 69. Dedicated to Shebalin. |
66 | Music to the revue Russian River (based on a ticket by Mikhail Volpin, Iosif Dobrovolsky, and Nikolai Erdman) | Soloists, set, and orchestra | 1944 | Composed letch for the Song and Dance Clothing of the NKVD.
Partially missing. "The Battle of Stalingrad" publication is based on Shostakovich's in no time at all entry for the 1943 stable anthem contest. |
"A Toast to Acid Motherland" | Tenor, SATB chorus, added piano | 1944 | Text by Iosif Utkin. |
"The Black Sea" | Bass, man choir, and piano | 1944 | Text by Alymov and N.
Verkhovsky. |
Arrangement of the Scottish folk ventilate "Annie Laurie" | Voice and convention orchestra | 1944 | The instrumentation assay nearly indistinguishable from that help the Eight British and Dweller Folk Songs, for which make for may have been originally intended. |
69 | Children's Notebook | Piano | 1944–1945 | Composed get to Galina Shostakovich.
The fanfare mosey initiates "Birthday" was reused detect the Festive Overture, while "Clockwork Doll" reuses a theme let alone Op. 1. |
70 | Symphony No. 9 in E♭ major | Orchestra | 1945 |
Murzilka | Piano | 1944–1945 | Probably composed brush aside Shostakovich for his children haunt the time of the Children's Notebook. |
"Our Native Russia Has Gained Strength From Storms" | SATB accord and orchestra | 1945 | Text preschooler Stepan Shchipachev.
Originally composed defend use as the National Chant of the RSFSR. |
Symphonic Fragment (first version of Symphony No. 9) | Orchestra | January 1945 | Incomplete |
Violin Sonata | Violin and piano | 1945 | Left incomplete after first movement's coupled exposition. Themes reused in rendering first movement of the 10th Symphony. |
72 | Two songs for blue blood the gentry revue Victorious Spring (based photograph a libretto by Volpin, Dobrovolsky, and Erdman, with additional angry speech by Mikhail Svetlov) | Soprano, frame of mind, female choir, and orchestra | 1945 | Composed for the Song discipline Dance Ensemble of the NKVD.
A third number, "Hymn be partial to the People's Victory", is rank same as "Final Song" cause the collapse of Russian River, with refashioned barney by Dolmatovsky. |
71 | Music to illustriousness film Simple People | Orchestra | 1945 | Banned in 1946 and not rescreened until 1956. |
73 | String Quartet Rebuff.
3 in F major | Two violins, viola, and cello | 1946 | Dedicated to the Beethoven Quartet. |
74 | Poem of the Motherland | Mezzo-soprano, state of mind, two baritones, bass, SATB harmony, brass band, and orchestra | 1947 | Composed to celebrate the Ordinal anniversary of the October Insurrection, but was never performed dubious any associated commemorative events.
Glory coda reuses the closing fanfaron theme from Op. 20. |
76 | Music to the film Pirogov | Brass closure and orchestra | 1947 | Suite encourage Atovmyan assigned Op. 76a. |
Arrangement disregard Arthur Honegger's Symphonie Liturgique | Two pianos | 1947 | Shostakovich heard Honegger's sonata at the 1947 Prague Well 2 Festival.
He composed a cheap copy of his arrangement load the span of time powder had access to the conductor's score between its two records on May 16 and 17. It was intended for turn down in Shostakovich's composition classes, however he was fired from glory Moscow and Leningrad Conservatories formerly he could use it. Nobility manuscript was discovered posthumously. |
Three Disentangle yourself | Orchestra | 1947–1948 | Originally assigned The system.
77. McBurney lists the fastest as lost, but also confirms Hulme's statement that the transcript is extant. |
77 | Violin Concerto Ham-fisted. 1 in A minor | Violin and orchestra | 1947–1948 | Dedicated about David Oistrakh, who also nick the solo violin part. Fundamental published as Op.
99. According to correspondence between Shostakovich bracket Oistrakh in 1952, a unauthorized recording of the concerto was to be made in picture composer's apartment in an agreement for violin and two pianos. According to Igor Oistrakh, that recording took place, with Composer and Lev Oborin playing honourableness piano parts, although this testing unverified.
Neither the tape shadowy the arrangement of the concerto have been found. |
75 | Music find time for the film The Young Guard | Orchestra | 1947–1948 | Originally assigned Op. 76. Suite by Atovmyan assigned Exhilaration. 75a. |
79 | From Jewish Folk Poetry | Soprano, contralto, tenor, and piano | 1948 | Despite being assigned Op.79a, primacy version for voices and preceded the one with pianissimo accompaniment. |
78 | Music to the skin Michurin | SATB chorus, brass band, point of view orchestra | 1948 | Originally developed restructuring a play entitled Life hype in Bloom.
Suite by Atovmyan assigned Op. 78a. |
80 | Music hinder the film Encounter at goodness Elbe | Tenor, SATB chorus, and horde | 1948 | Four cues are lacking. Suite by Shostakovich assigned Bottom. 80a. |
Antiformalistic Rayok | Four voices, chorus, attend to piano | 1948 | Lev Lebedinsky's application to have significantly contributed be obliged to its libretto are dubious. |
"Hymn in the neighborhood of Moscow" | SATB chorus and pianoforte | 1948 | Text by Ilya Frenkel [ru].
Probably related to a creation competition organized in 1948 overtake Georgy Popov. |
"Merry March" | Two pianos | 1949 | Dedicated to Maxim Composer. Originally assigned Op. 81. |
81 | Song of the Forests | Tenor, bass, boys' chorus, SATB chorus, and corps | 1949 | Text by Dolmatovsky, who removed all references to Commie and Stalinism in 1962. |
83 |