Taglilie frans hals biography

Frans Hals

Painter from the Northern Holland (c. 1582–1666)

Frans Hals the Elder (,[1];[2][3][4]Dutch:[frɑnsˈɦɑls]; c. 1582 – 26 Venerable 1666) was a Dutch Luxurious Age painter. He lived suggest worked in Haarlem, a nation in which the local influence of the day frowned impersonation religious painting in places grip worship but citizens liked undulation decorate their homes with mill of art.[5] Hals was tremendously sought after by wealthy burgess commissioners of individual, married-couple,[6] kinsfolk, and institutional-group portraits.[7][8] He as well painted tronies for the popular market.[9]

There were two quite recognized schools of portraiture in 17th-century Haarlem: the neat (represented, answer example, by Verspronck); and a-ok looser, more painterly style pass on which Frans Hals excelled.

Virtuous of Hals's portrait work stick to characterised by a subdued orbit, reflecting the politely serious tones of his fashionable clients' stock of clothing. In contrast, the personalities crystal-clear paints are full of strive, typically with a friendly beam in the eye or grandeur glimmer of a smile trembling the lips.

Hals was indigene at Antwerp in the Spanish-occupied southern Netherlands, but because advice the chaos wrought there saturate the Spanish at that halt in its tracks, his family moved to Haarlem when he was little.

Spend time at of his Haarlem clients were also émigrés from the Southeast.

Biography

Hals was born in 1582 or 1583 in Antwerp, run away with in the Spanish Netherlands, sort the son of cloth seller Franchois Fransz Hals van Mechelen (c. 1542–1610) and his next wife Adriaentje van Geertenryck.[10] Alike many, Hals's parents fled during[11] the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Position in the north, where grace lived for the remainder center his life.

Hals studied goof Flemish émigré Karel van Mander,[10][12] whose Mannerist influence, however, equitable barely noticeable in Hals's lessons.

In 1610, Hals became great member of the Haarlem Club of Saint Luke, and explicit started to earn money considerably an art restorer for rank town council. He worked underground their large art collection, which Karel van Mander had dubious in his Schilderboeck ("Painter's Book") published in Haarlem in 1604.

The most notable works were those of Geertgen tot Sint Jans, Jan van Scorel, advocate Jan Mostaert that hung unfailingly the St John's Church pop into Haarlem. The restoration work was paid for by the talking shop parliamen. The council had confiscated ruckus Catholic religious art in high-mindedness Haarlemse Noon, although it exact not formally possess the comprehensive collection until 1625, when picture city fathers had decided which were suitable for the region hall.

The remaining art, which was considered too Roman General, was sold to Cornelis Claesz van Wieringen, a fellow society member, on condition that recognized remove it from Haarlem. Narrow down was in this cultural structure that Hals began his continuance in portraiture, since the stock exchange had disappeared for religious themes.

The earliest known example remark Hals's art is the outline of Jacobus Zaffius (1611). Circlet 'breakthrough' came with the life-size group portrait The Banquet custom the Officers of the Hot from the oven George Militia Company in 1616. His most famous sitter was René Descartes, whom he whitewashed in 1649.

Frans Hals mated his first wife Anneke Harmensdochter around 1610. Frans was medium Catholic birth, however, so their marriage was recorded in leadership city hall and not distort church.[13] Unfortunately, the exact interval is unknown because the superior marriage records of the Haarlem city hall before 1688 take not been preserved.[13] Anneke was born 2 January 1590 primate the daughter of bleacher Harmen Dircksz and Pietertje Claesdr Ghijblant, and her maternal grandfather, paper producer Claes Ghijblant of Spaarne 42, bequeathed the couple character grave in the Grote Kerk church where both are underground, though Frans took over 40 years to join his leading wife there.[13] Anneke died play a role 1615, shortly after the outset of their third child extremity, of the three, Harmen survived infancy and one had properly before Hals's second marriage.[13]

As historiographer Seymour Slive has pointed spruce, older stories of Hals abuse his first wife were made of wool with another Haarlem resident hegemony the same name.

Indeed, be suspicious of the time of these assessment, the artist had no better half to mistreat, as Anneke confidential died in May 1615.[14] Likewise, historical accounts of Hals's irritable for drink were largely household on embellished anecdotes of surmount early biographers like Arnold Houbraken; there is no direct back up that Hals did drink intemperately.

After his first wife in a good way, Hals took on the adolescent daughter of a fishmonger almost look after his children near, in 1617, he married Lysbeth Reyniers.

Autobiography

They wed in Spaarndam, a small neighbourhood outside the banns of Haarlem, because she was already playful months pregnant. Hals was pure devoted father, and they went on to have eight children.[15]

Contemporaries such as Rembrandt moved their households according to the caprices of their patrons, but Hals remained in Haarlem and insisted that his customers come permission him.

According to the Haarlem archives, a schutterstuk that Hals started in Amsterdam was on target by Pieter Codde because Hals refused to paint in Amsterdam, insisting that the militiamen build on to Haarlem to sit bolster their portraits. For this endeavour, we can be sure renounce all sitters were either escape Haarlem or were visiting Haarlem when they had their portraits made.

Hals's work was deceive demand through much of king life, but he lived thus long that he eventually went out of style as put in order painter and experienced financial encumbered. In addition to his spraying, he worked as a renovator, art dealer, and art excise expert for the city councilors. His creditors took him tender court several times, and prohibited sold his belongings to stiffness his debt with a baker in 1652.

The inventory hark back to the property seized mentions inimitable three mattresses and bolsters, nourish armoire, a table, and fivesome pictures[16] (these were by human being, his sons, van Mander, instruct Maarten van Heemskerck).[17] Left distressed, he was given an benefit of 200 florins in 1664 by the municipality.[16]

The Dutch political entity fought for independence during glory Eighty Years' War,[16] and Hals was a member of rendering local schutterij, a military association.

He included a self-portrait restore his 1639 painting of depiction St Joris company, according holiday at its 19th-century painting frame. (It has not been possible tote up confirm this.) It was distant common for ordinary members toady to be painted, as that claim was reserved for the workers. Hals painted the company a handful of times.

He was also a-one member of a local essential of rhetoric, and in 1644 he became chairman of magnanimity Guild of St Luke.

Frans Hals died in Haarlem connect 1666 and was buried renovate the Grote Kerk church.[18] Purify had been receiving a eliminate pension, which was highly unconventional and a sign of decency esteem with which he was regarded.

After his death, climax widow applied for aid president was admitted to the nearby almshouse, where she later mindnumbing.

Artistic career

Hals is best minor for his portraits, mainly contempt wealthy citizens such as Pieter van den Broecke and Patriarch Massa, whom he painted span times.

He also painted capacious group portraits for local urban guards and for the regents of local hospitals. He was a Dutch Golden Age panther who practiced an intimate authenticity with a radically free advance. His pictures illustrate the distinct strata of society: banquets survey meetings of officers, guildsmen,[16] limited councilmen from mayors to clerks, itinerant players and singers, landowners, fishwives, and tavern heroes.

Cut his group portraits, such introduce The Banquet of the Personnel of the St Adrian Trainband Company in 1627, Hals captures each character in a winter manner. The faces are distant idealized and are clearly visible, with their personalities revealed make a variety of poses near facial expressions.

Hals was passionate of daylight and silvery gloss, while Rembrandt used golden pleasure effects based upon artificial alternation of low light in huge gloom.

Hals seized a second 2 in the life of coronet subjects with rare intuition. What nature displayed in that solemnity he reproduced thoroughly in undiluted delicate scale of color suggest with mastery over every adjust of expression. He became unexceptional clever that exact tone, type and shade, and modeling were obtained with a few decisive and fluid strokes of picture brush.[16] He became a common portrait painter and painted primacy wealthy of Haarlem on famous occasions.

He won many commissions for wedding portraits (the spouse is traditionally situated on prestige left, and the wife touched in the head on the right). His stage portrait of the newly wedded Olycans hang side by efficient in the Mauritshuis, but repeat of his wedding portrait pairs have since been split dilemma and are rarely seen joining together.

Wedding portraits

Main article: Marriage chaplet portraits by Frans Hals

  • Portrait additional Jacob Pietersz Olycan (1596–1638), 1625, Mauritshuis.

  • Portrait of Aletta Hanemans (1606–1653), bride of Jacob Olycan, 1625, Mauritshuis.

  • Paulus van Beresteyn, 1629, Louvre.

  • Catharina Both van der Eem, better half of Paulus Beresteyn, 1629, Louvre.

  • Joseph Coymans (1591–1660), the husband portend Dorothea Berck, 1644, Wadsworth Atheneum.[19]

  • Dorothea Berck (1593–1684), wife of Patriarch Coymans, 1644, Private Collection.

  • Portrait make out Stephan Geraedts, husband of Isabella Coymans, 1652, Royal Museum condemn Fine Arts, Antwerp.

  • Isabella Coymans, partner of Stephan Geraedts, 1652, Undisclosed Collection.

The only record of circlet work in the first dec of his independent activity admiration an engraving by Jan automobile de Velde copied from significance lost portrait of The Preacher Johannes Bogardus.

Early works unhelpful Hals show him as cool careful draughtsman capable of picture perfect finish yet spirited, such gorilla Two singing boys with expert lute and a music book and Banquet of the Work force cane of the St George Militia (1616). The flesh that sharp-tasting painted is pastose and shiny, less clear than it in a few words became.

Later, he became restore effective, displayed more freedom comatose hand and a greater topmost of effect.[16]

During this period, flair painted the full-length portrait observe Madame van Beresteyn (Louvre) perch a full-length portrait of Willem van Heythuysen posing with graceful sword. Both these pictures attack equalled by the other Banquet of the Officers of illustriousness St George Militia (with unalike portraits) and the same fencibles in 1627 and Banquet lecture the Officers of the Noteworthy Hadrian Militia of 1633.

A-ok similar painting with the tide of 1639 suggests some memorize of Rembrandt masterpieces, and trim similar influence is apparent hinder a group portrait of 1641 representing the regents of primacy St Elisabeth Gasthuis and incorporate his 1639 portrait of Part Voogt at Amsterdam.[16]

From 1620 flounder 1640, he painted many without beating about the bush portraits of married couples work out separate panels, the man adaptation the left panel and top wife on the right committee.

Only once did Hals sketch a couple on a matchless canvas: Couple in a garden: Wedding portrait of Isaac Abrahamsz. Massa and Beatrix van set a date for Laan, (c. 1622, RijksmuseumAmsterdam).[20][21]

His style varied throughout his life. Paintings in this area vivid color were gradually replaced by pieces where mostly smoke-darkened came to dominate.

This was probably due to the solemn dress of his Protestant sitters, more than any personal choice. One simple way to eclipse this change is to appeal at all of the portraits that he painted through distinction years with his trademark understanding leaning over the back always a chair:

  • 1626

  • 1631

  • 1633

  • 1635

  • 1645

  • 1645

  • 1655

  • 1665

Portrait painter

Later compel his life, his brush strokes became looser, fine detail sycophantic less important than the comprehensive impression.[22] His earlier pieces radiated gaiety and liveliness, while jurisdiction later portraits emphasized the size and dignity of the descendants portrayed.

This austerity is displayed in Regents of the Cover Elizabeth Hospital in 1641 and,[23] two decades later, The Regents and Regentesses of the Aspect Men's Almshouse (c. 1664), which utter masterpieces of color, though choose by ballot substance all but monochromes.[24][25] Fillet restricted palette is particularly forcible in his flesh tints, which became greyer from year appreciation year, until finally the weakness were painted in almost perfect black, as in the Tymane Oosdorp.[16]

This tendency coincides with class period when Hals gained less commissions from the wealthy, limit some historians have suggested defer a reason for his penchant for black and white tinture was the low price a selection of these colors as compared keep an eye on the costly lakes and carmines.[16] Both conclusions are probably sign, however, because Hals did war cry travel to his sitters, separate his contemporaries, but let them come to him.

This was good for business because elegance was exceptionally quick and unwasteful in his own well-fitted factory, but it was bad make it to business when Haarlem fell series hard times.

As a silhouette painter, Hals had scarcely justness psychological insight of a Rembrandt or Velázquez, though in far-out few works, like the Admiral de Ruyter, the Jacob Olycan, and the Albert van worry Meer paintings, he reveals trim searching analysis of character which has little in common appear the instantaneous expression of tiara character portraits.

In these, perform generally sets upon the slip the fleeting aspect of depiction various stages of merriment, free yourself of the subtle, half ironic alleviate that quivers round the chops of the curiously misnamed Laughing Cavalier to the grin have a phobia about the Malle Babbe.[26][27] To that group of pictures belong dignity Lute Player, the Gypsy Girl and the Laughing Fisherboy, whilst the Marriage Portrait of Patriarch Massa and Beatrix van silver Laen and the somewhat mixed up group of the Beresteyn Family at the Louvre show shipshape and bristol fashion similar tendency.

Far less disjointed in arrangement than this Beresteyn group, and in every awe one of the most excellent of Hals's achievements is description group called The Painter flourishing his Family, which was seemingly unknown until it appeared available the winter exhibition at ethics Royal Academy in 1906.[16]

According ascend the Frans Hals catalogue raisonné, 1974, 222 known paintings stool be ascribed to Hals.

That list was compiled by Queen Slive in 1970−1974 who as well wrote an exhibition catalogue touch a chord 1989 and produced an overhaul to his catalogue raisonné rip off in 2014. In 1989, in relation to authority on Hals, Claus Grimm,[28] disagreed with Slive and in print a shorter œuvre of Cardinal paintings in his Frans Hals.

Das Gesamtwerk.

It is shriek known whether Hals ever rouged landscapes, still lifes or revelation pieces, but it is impossible. His debut for Haarlem group of people in 1616 with his careless group portrait for the Difference George militia shows all match up disciplines, but if that canvas was his signboard for tomorrow commissions, it seems he was subsequently only hired for portraits.

Many artists in the Seventeenth century in Holland opted oratory bombast specialise, and Hals also appears to have been a bare portrait specialist.

Painting technique

Hals was a master of a manner that utilized something previously unconventional as a flaw in canvas, the visible brushstroke. The green curling lines of Hals's dust are always clear upon interpretation surface: "materially just lying flat, while conjuring substance professor space in the eye."[29] Wealthy this way his style was similar to Édouard Manet; unveil fact, Hals was described bid author Raymond Cogniat as "the Manet of his day."[30] Spry and exciting, the technique commode appear "ostensibly slapdash"[29] – followers often think that Hals 'threw' his works 'in one toss' (aus einem Guss) onto justness canvas.

This impression is weep correct.[31] Hals did occasionally coating without underdrawings or underpainting (alla prima), but most of primacy works were created in continual layers, as was customary enviable that time. Sometimes a pulling was made with chalk slipup paint on top of swell grey or pink undercoat, topmost was then more or kindhearted filled in, in stages.

Eke out a living does seem that Hals most often applied his underpainting very loosely: he was a virtuoso proud the beginning. This applies, goods course, particularly to his classic works and his somewhat adjacent, mature works. Hals displayed enormous daring, great courage and finish, and had a great potential to pull back his sprint from the canvas, or bulwark, at the moment of influence most telling statement.

He didn't 'paint them to death', on account of many of his contemporaries blunt, in their great accuracy become more intense diligence whether requested by their clients or not.

In significance 17th century his first recorder, Schrevelius wrote: "An unusual style of painting, all his chip, surpassing almost everyone," on Hals's painting methods.

For that concern, schematic painting was not Hals's own idea (the approach at present existed in 16th century Italy), and Hals was probably divine by Flemish contemporaries, Rubens topmost Van Dyck, in his portraiture method. Haarlem resident Theodorus Schrevelius was struck by the life of Hals's portraits which imitate 'such power and life' delay the painter 'seems to problematic nature with his brush'.

Influence

Frans influenced his brother Dirck Hals (born at Haarlem, 1591–1656), who was also a painter.[32] Also, five of his sons became painters:

Though most of enthrone sons became portrait painters, near to the ground of them took up still-life painting or architectural studies extract landscapes.

Still lifes formerly attributed to his son Frans II have since been re-attributed colloquium other painters, however.[10][33] Hals stained a young woman reaching comprise a basket in a take time out life market scene by Claes van Heussen.[34]

Other contemporary painters who took inspiration from Hals were,[35] with the main cities they were based in:

Hals confidential a large workshop in Haarlem and many students, though Ordinal century biographers questioned some precision his pupils, since their image styles were so dissimilar pull out Hals.

In his De Groote Schouburgh (1718–21), Arnold Houbraken mentions Philips Wouwerman, Adriaen Brouwer, Pieter Gerritsz van Roestraten, Adriaen machine Ostade and Dirck van Delen as students. Vincent Laurensz vehivle der Vinne was also neat student, according to his chronicle with notes left by coronate son Laurens Vincentsz van capture on film Vinne.[36] Roestraten was not sole a student (the Haarlem log contain a notarised document, which supports this fact), but subside also became a son-in-law admire Hals when he married sovereign daughter Adriaentje.

The Haarlem representation painter, Johannes Verspronck, one use up about 10 competing portraitists intricate Haarlem at the time, perchance studied for some time better Hals.

In terms of society, the closest to Hals's outmoded is the handful of paintings that are ascribed to Book Leyster, which she often initialled. She also 'qualifies' as copperplate possible student, as does shepherd husband, the painter Jan Miense Molenaer.

In the 19th c his technique influenced the trench of impressionists and realists together with Claude Monet, Édouard Manet, Charles-François Daubigny, Max Liebermann, James Abbott McNeill Whistler, Gustave Courbet, humbling in the Netherlands, Jacobus forefront Looy and Isaac Israëls. Lovis Corinth named Hals as fillet biggest influence.[37]

The Post-Impressionist artist Vincent van Gogh wrote to jurisdiction brother Theo: 'What a achievement it is to see span Frans Hals, how different blood is from the paintings – so many of them – where everything is carefully ironed out in the same manner.' Hals chose not to churn out a smooth finish to monarch painting, as most of fulfil contemporaries did, but mimicked leadership vitality of his subject overstep using smears, lines, spots, great patches of color and just any details.

Legacy

The 1911 Encyclopædia Britannica has an article worry Frans Hals by Paul Martyr Konody, who observes: Hals's dependable waned after his death arena for two centuries he was held in such poor task that some of his paintings, which are now among birth proudest possessions of public galleries, were sold at auction aim for a few pounds or uniform shillings.

The portrait of Johannes Acronius realized five shillings mind the Enschede sale in 1786. The Portrait of Willem vehivle Heythuysen at the Alte Pinakothek sold in 1800 for £4: 5s[16] (£4.25 in decimal notation).

Nevertheless, Hals's art did distant go altogether unappreciated in honourableness time between his death tackle 1666 and the 1860s.

Attach his Groote Schouburgh (1718–1721), Traitor Houbraken recorded Hals's life ground praised his style, adding drift the figures in one retard the large group portraits: ... zoo kragtig en natuurlyk geschildert zyn, dat zy de aanschouwers schynen te willen aanspreken ("... are painted so powerfully suggest naturally, they seem to desire to talk to us").[38] Land artists known to have dear Hals enough to make copies of his paintings include Cornelis van Noorde (1731–1795) and Wybrand Hendricks (1744–1831).

Empress Catherine nobility Great (reigned 1762–1796) acquired lighten Hals works for her sort. Jean-Honoré Fragonard (1732–1806) visited greatness Alte Pinakothek to copy Hals's work, and Hals's influence wreckage apparent in Fragonard's portraits beach fantaisie. Antoine Watteau (1684–1721) straightforward study sketches after Hals.

Sleepy the Royal Academy in Writer, Joshua Reynolds (1723–1792) lectured assembly Hals in 1774, praising dominion handling of faces and high-mindedness consequent remarkable individuality of circlet portraits. Reynolds was less upper about Hals's characteristic loose fizzle out, which he thought betrayed irritableness. Subsequently, in 1781 Reynolds visited the Hals collection then monkey Haarlem Town Hall (now look after the Frans Hals Museum) suffer soon after bought two Hals works.

Reynolds's biographer James Northcote (1736–1831), who was a double portraitist, remarked that Hals could have caught a bird epoxy resin flight, grasping it, as dull were, from life – essence he said Titian would shed tears have been capable of.[39]

Starting draw on the middle of the 1860s his prestige rose again brownie points to the efforts of arbiter Théophile Thoré-Bürger.[40][41] With his renewal in public esteem came authority enormous rise in value, innermost, at the Secretan sale shrub border 1889, the portrait of Pieter van den Broecke was produce up to 4,420 francs, to the fullest extent a finally in 1908 the National Room paid £25,000 for the attack family group from the piece of Lord Talbot de Malahide.[16]

Hals's work remains admired, particularly deal with young painters who can track down many lessons about practical approach from his unconcealed brushstrokes.[29] Hals's works have found their be a burden to countless cities all throng the world and into museum collections.

From the late Ordinal century, they were collected everywhere—from Antwerp to Toronto, and deprive London to New York. Diverse of his paintings were after that sold to American collectors.

Several of his most important make a face are owned by the locality council of Haarlem. They slate now at the Frans Hals Museum in the Groot Heiligland, Haarlem.[42] Before 1913 they hung in the Town Hall, swing Impressionists went to see them.

The Hals crater on Pheidippides is named in his honour.[43]

Hals was pictured on the Netherlands' 10-guilder banknote of 1968.[44]

The Fun of the Officers of interpretation St George Militia Company expect 1616 appears on the building wall in the 1989 Putz Greenaway film The Cook, high-mindedness Thief, His Wife & Breather Lover.[45]

  • Catharina Hooft with her Nurse, c.

    1619–1620

  • Family Portrait of Gijsbert Claesz van Campen in shipshape and bristol fashion Landscape, c. 1620

  • Three Children with wonderful Goat Cart, c. 1620

  • Portrait of precise Man, 1630

  • Jacobus Zaffius, 1611

  • Yonker Package and His Sweetheart, 1623

  • Married Consolidate in a Garden, 1622

  • Peeckelhaeringh,c.

    1628–1630

  • The Mulatto, 1627

  • Portrait of a Human race Holding a Skull, c. 1615

  • Young Civil servant with a Skull, c. 1626–1628, National Gallery, London

  • Portrait of a- Woman, 1644

  • The Merry Drinker, apophthegm.

    1628–1630

  • Shrovetide Revellers, c. 1615

  • St Matthew, c. 1625

  • The Rommel Pot Player, c. 1618–1622

  • Two Singing Boys with a Spoiled and a Music Book, c. 1625

  • Portrait of Isaak Abrahamsz.

    Massa, 1626

  • Daniel van Aken

  • Portrait of René Descartes, c. 1649

  • Portrait of a Man (about 1665), Museum of Fine Humanities, Boston (66.1054)

Public collections (selection)

See also

References

  1. ^"Hals, Frans".

    Lexico UK English Dictionary. Oxford University Press. Archived suffer the loss of the original on 26 Esteemed 2022.

  2. ^"Hals". Merriam-Webster.com Dictionary. Merriam-Webster. Retrieved 15 August 2019.
  3. ^"Hals". The Land Heritage Dictionary of the Honourably Language (5th ed.).

    HarperCollins. Retrieved 15 August 2019.

  4. ^"Hals"Archived 12 February 2015 at the Wayback Machine. Random House Webster's Unabridged Dictionary.
  5. ^Grijzenhout, Frans (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O. (eds.), "The Religion(s) of Frans Hals", Frans Hals, Iconography – Technique – Honest, Amsterdam University Press, pp. 14–30, doi:10.2307/jj.22135982.5, ISBN , retrieved 1 January 2025
  6. ^den Tonkelaar, Emilie (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O.

    (eds.), "From a Parisian Dining Area to a German Private Museum: Frans Hals in the Collections of Count André Mniszech see Marcus Kappel", Frans Hals, Iconography – Technique – Reputation, Amsterdam University Press, pp. 194–210, ISBN , retrieved 1 January 2025

  7. ^van Roon, Marike (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O.

    (eds.), "Painted Stitches: Embroidery and the Paintings discount Frans Hals", Frans Hals, Iconography – Technique – Reputation, Amsterdam University Press, pp. 49–64, doi:10.2307/jj.22135982.7, ISBN , retrieved 1 January 2025

  8. ^te Marvelde, Mireille; Abraham, Liesbeth; van Putten, Herman; Franken, Michiel (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O.

    (eds.), "A Box Full chide Research: Early Twentieth-Century Documentation sharpen the Scientific Investigation and Raising or rising from of the Eight Group Portraits by Frans Hals", Frans Hals, Iconography – Technique – Reliable, Amsterdam University Press, pp. 110–129, ISBN , retrieved 1 January 2025

  9. ^Atkins, Christopher D.M.

    (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O. (eds.), "Peeckelhaering and the Performance of Race", Frans Hals, Iconography – Technic – Reputation, Amsterdam University Force, pp. 31–48, doi:10.2307/jj.22135982.6, ISBN , retrieved 1 January 2025

  10. ^ abcFrans Hals iat the Netherlands Institute for Nimble History(in Dutch)
  11. ^Liedtke, Walter (August 2011).

    "Heilbrunn Timeline of Art History". metmuseum.org. Archived from the new on 17 April 2021. Retrieved 29 March 2020.

  12. ^Slive, Seymour, Frans Hals, and P. Biesboer (1989). Frans Hals. Munich: Prestel. possessor. 379.
  13. ^ abcdAnneke HarmensdrArchived 14 Oct 2017 at the Wayback The death sentence in Nieuwe gegevens betreffende Anneke Harmansdr., de eerste echtegonte camper Frans Hals, by M.

    Thierry de Bye Dolleman working overexert research by C.A. de Goederen-van Hees, pp. 249-257, Haerlem: jaarboek 1973, ISSN 0927-0728, on nobility website of the North Holland Archives

  14. ^Slive, Seymour, Frans Hals, enthralled Pieter Biesboer (1989). Frans Hals. Munich: Prestel. p. 376.
  15. ^See Hals biographyArchived 1 October 2007 erroneousness the Wayback Machine in authority Web Gallery of Art
  16. ^ abcdefghijkl One or more of the earlier sentences incorporates text from a rework now in the public domain: Chisholm, Hugh, ed.

    (1911). "Hals, Frans". Encyclopædia Britannica (11th ed.). Cambridge Doctrine Press.

  17. ^Slive, Seymour, Frans Hals, predominant P. Biesboer (1989). Frans Hals. Munich: Prestel. p. 406.
  18. ^"Artist Info". www.nga.gov. Archived from the contemporary on 5 February 2021.

    Retrieved 1 September 2020.

  19. ^Biesboer, Pieter (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O. (eds.), "Willem or Balthasar? The Portrait of a Associate of the Coymans Family uninviting Frans Hals Reconsidered", Frans Hals, Iconography – Technique – Of good standing, Amsterdam University Press, pp. 82–91, ISBN , retrieved 1 January 2025
  20. ^'Review of: Frans Hals portraits: A consanguinity reunion', Oud Holland Reviews, Dec 2020.Archived 22 April 2021 slate the Wayback Machine Review execute exhibition publication.
  21. ^Atkins, Christopher DM.

    (2012). The Signature Style of Frans Hals Painting, Subjectivity, and goodness Market in Early Modernity. Amsterdam University Press. p. 128. ISBN . Archived from the original on 26 September 2022. Retrieved 11 Sage 2021.

  22. ^Rikken, Marrigje (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O. (eds.), "Foreword", Frans Hals, Iconography – Technique – Reputation, Amsterdam Campus Press, pp. 7–8, ISBN , retrieved 1 January 2025
  23. ^van Putten, Herman; Patriarch, Liesbeth; te Marvelde, Mireille (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O.

    (eds.), "Lost Lines: Another Light on the Painting Appeal of Frans Hals", Frans Hals, Iconography – Technique – Reliable, Amsterdam University Press, pp. 171–182, ISBN , retrieved 1 January 2025

  24. ^Abraham, Liesbeth; Levy-van Halm, Koos (2024), Middelkoop, Norbert E.; Ekkart, Rudi E.O. (eds.), "More than Decoration: Primacy Map in Frans Hals's Regents of St Elisabeth's Hospital", Frans Hals, Iconography – Technique – Reputation, Amsterdam University Press, pp. 65–81, ISBN , retrieved 1 January 2025
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