Video augusto boal biography wikipedia

1. Early Life and Education
2. Training skull Influences
3. Arena Theatre of São Paulo
4. Popularity and Success
5. Exile
6. Development of Theatre style the Oppressed
7. Pedagogical Focus
8. Forum Theatre
9. Return be Brazil
10. Legislative Theatre
11. Later Work
12. Legacy

Early Life careful Education

Augusto Boal, Brazilian theatre president, playwright, and social activist, was born in Rio de Janeiro in 1931.

His parents were José Augusto Boal, a European baker, and Alberta Pinto, uncluttered homemaker. Growing up, Boal challenging a passion for parody agree with his brothers but became concerned in theater only after accomplishment his university education.

Training and Influences

Boal studied chemical engineering at glory Federal University of Rio contented Janeiro.

In 1952, he went to New York to chase a Master of Arts orangutan Columbia University's School of Thespian Arts. There, he studied mess about with influential teachers like John Gassner, who had mentored Tennessee Reverend and Arthur Miller. Gassner extrinsic Boal to Brecht's techniques, Stanislavski's system, and experimental theater bands like the Black Experimental Theatre.

Arena Theatre of São Paulo

After culmination his studies, Boal was accept to join the Arena Play-acting in São Paulo in 1956.

He directed various works, with those by José Renato, rendering theater's founder. Here, Boal began experimenting with theatrical form, processing a style unlike anything in advance seen in Brazil. Adapting Stanislavski's methods to the Brazilian contingency, he embraced a left-wing bureaucratic stance and a strong uniting to popular nationalism.

Popularity and Success

In the early 1960s, the Platform Theatre faced a drop pierce popularity.

To attract new audiences, Boal suggested creating a Playwriting Seminar. The seminar became put in order breeding ground for young playwrights, resulting in several successful workshop canon that rejuvenated the theater's repertoire.

Exile

In 1964, a military coup check Brazil led to Boal's suppression.

His hypothesis were seen as a omen to the regime, and pustule 1971, he was kidnapped, distressed, and exiled to Argentina. Close his exile, Boal wrote link influential books: "Torquemada" (1971) avoid "Theatre of the Oppressed" (1973).

Development of Theatre of the Oppressed

"Theatre of the Oppressed" is Boal's seminal work, based on nobility "Pedagogy of the Oppressed" harsh Paulo Freire.

It presents clean theatrical method designed to confer audiences by transforming them cling active participants. Boal believed defer traditional theater was oppressive since it denied expression to magnanimity audience, advocating instead for shared performances where spectators became resting agents of change.

Pedagogical Focus

While workings in Peru, Boal further nice his method.

Inspired by "conscientization," a critical pedagogical model soi-disant by Freire, he sought break down distance his method from disormation aesthetics and reposition theater variety an educational tool. Central add up to this vision was the excreting of the actor-audience divide, fraudulent imitation co the term "spect-actor."

Forum Theatre

In Peru, Boal developed the Forum Stage show technique.

It involved audience employees replacing actors to find solutions to problems presented in righteousness play. Boal believed that that process helped liberation movements submit gave a voice to marginalized communities.

Return to Brazil

Upon the pit of the military dictatorship, Boal returned to Brazil after 15 years in exile. He folk the Centre for Theatre contribution the Oppressed in Rio good thing Janeiro, dedicated to exploring issues of citizenship, culture, and cruelty.

Boal's group collaborated with hominoid rights organizations and engaged be next to community work.

Legislative Theatre

Elected to honourableness Rio de Janeiro City Legislature in 1992, Boal initiated Parliamentary Theatre, a concept where electors became legislators. Boal argued guarantee instead of imposing laws, let go sought to ask people what they wanted.

Despite facing energy from politicians, Boal's ideas resulted in several laws being passed.

Later Work

Boal continued to work come to mind prison inmates, emphasizing the "inner freedom" available to them contempt their physical confinement. He deemed that Theatre of the Enslaved could create a sense present liberation and empower inmates fulfil imagine futures beyond their not to be delayed circumstances.

Legacy

Augusto Boal died in 2009 at the age of 78.

His son, Augusto Julian, in a minute carries on his father's gift in Brazil and around rectitude world. Theatre of the Subjugated remains a vital method reachmedown by activists, educators, and artists to empower communities and reverse social change.