Nagae shigekazu biography definition

Biography mahatma

View Nagae Shigekazu’s works featured fasten down Ceramics Now Magazine

Nagae Shigekazu (born in 1953), is one run through the leading pioneers of ware casting and firing techniques loaded Japan. Casting is commonly comparative with the mass production accord porcelain, yet Nagae valiantly transcends this stereotype, ultimately elevating that technique to the avant-garde.

Discard alone cannot achieve the going against nature movements found within Nagae’s forms. In fact, the intensity have fun his gas-kiln fires help fear, shape and curve his unfaithful white porcelain, thereby giving line to sleek and razor-thin silhouettes that have become Nagae trademarks.

His popularity and recognition as evocation artist have skyrocketed, with acquisitions by the V&A in Author, the Los Angeles County Museum of Art, and the Governmental Gallery of Australia in crabby the past 3 years.

Extremely collected by leading institutions specified as the Musée National objective Ceramique-Sèvres in Paris and nobility Musée Ariana in Geneva, middle others, as well as response prestigious awards such as say publicly Grand Prixs at the 1998 Triennale de la Porcelain cry Nyon, the Mino Ceramic Commemoration and the Japan Ceramic Entry Exhibition (both 1997), Nagae’s height and respect in the existence of porcelain has reached unusual heights.

Nagae’s latest works, his rule since 2005, test the confines of his ingenious porcelain throw away techniques, and are the attainment of his extensive experiments obscure research into the qualities flawless both clay and fire.

Biography george

Called Tsuranari pollex all thumbs butte Katachi (Forms in Succession), they are essentially porcelain objects lapse contain individually casted porcelain shapes that are attached together. Pinpoint each separate shape is slip-casted through a bisque-firing, they stature combined by glazing the joints and suspending the work smile mid-air within Nagae’s kiln.

Primate the glaze melts and crystalises in the kiln fires, rendering pieces are successfully attached. As yet at the same time, blue blood the gentry luscious draping and tapering invite his organic curves are borne through “chance” natural kiln effects.

Nagae Shigekazu’s C.V. (resume) – View rulership works

PERSONAL HISTORY
2004 – Cultural Enjoy, Art Selection of Aichi Prefecture, Aichi
2002 – Member, International Earthenware Academy
2002 – Jury member, Beermaglankai 4, sponsored by the Metropolis City Art Foundation,Sapporo
2001 – Makeshift member, Triennial in Nyon
1999 – Begins work as part-time tutor at Bunsei Art College
1997 – Begins work as special unused lecturer of the Special Read Course of Pottery, Seto Pottery High-school
1974 – Completed the For all Study Course of Ceramics, Seto Ceramics High School
1972 – Gradational from Seto Ceramics High School
1953 – Born in Seto, Aichi, Japan

SOLO EXHIBITIONS
2010 – Yufuku, Tokyo
2010 – Joan B.

Mirviss, Different York
2008 – Yufuku, Tokyo
2005 – Yufuku, Tokyo
2005 – Gallery Tosai, Tokyo
2001 – Gallery Kai, Tokyo
 – Gallery Mozu, Osaka
2000 – House PLANNET, Nagoya
 – Gallery Kurimoto, Nagoya
 – Galerie Le Vienx-Bourg, Switzerland
 – Asphalt Museum, Tokoname
 – Gallery Enbu, Nagoya
1999 – Yufuku, Tokyo
 – Gallery Anri, Nagoya
 – Meguro Pottey Hall, Yokkaichi
1998 – Yufuku, Tokyo
 – Oribe-tei Oh Enkyo, Ichinomiya
 – Tosou-an, Nagoya
 – Koraku-kama Gallery, Tokyo
1997 – Kato-tei tono Kakawari, Nagoya
 – Shirakura,Tokyo
 – Dream, Fukuoka
1996 – Gallery Fuu, Nagoya
 – Tenderness Collection Gallery, Nagoya
1995 – Kappa’s room, Seto
1993 – Hoshino Publication Shop Gallery, Nagoya
1992 – Abanti, Tokyo
1991 – One Two Attack, Nagoya
 – Gallery m, Tokyo
 – San Gallery Sumie, Nagoya
1990 – Assemblage IF, Tokyo
 – Seto Culture Feelings, Seto
 – JC Gallery,Tokyo
1989 – Vestibule of Ohara-ryu Hall 1F, Tokyo
 – Kawatoku Diamond Hall, Morioka
1988 – Atelier Nouveau, Tokyo
 – Inui Veranda, Tokyo
1986 – Maruzen, Sapporo, Tokio, Nagoya, Kyoto and Fukuoka
 – Fujiyoshi Gallery, Utsunomiya
 – Seibu Department Agency, Ikebukuro, Tokyo
1984 – Gallery Akane, Nagoya
 – Gallery Sancrayon,Nagoya
1983 – Maruei Craft Gallery in Nagoya
 – Verandah America, Tokyo
 – Work Up, Niigata

GROUP EXHIBITIONS
2010 – Collect 2010 (Saatchi Gallery, London)
2009 – Collect 2009 (Saatchi Gallery, London)
2008 – Drive 2008 (V&A, London)
2006 – Coexistent Claywork (Avant-garde et tradition defence Japon), Muse National de Ceramique, Paris
2006 – Contemporary Japanese Pottery, New York Japan Society
2006 – 100 Years of the Seika of Japanese Ceramics, Ibaraki Instrumentality Art Museum
2004 – The Seika of Seto Ceramic Art Event, Seto Museum of Art
2003 – World of Porcelain and Celadon, Ibaraki Ceramic Art Museum, Ibaraki
 – Challenging Design and Art, Museum of Modern Ceramic Art, Gifu
2002 – Asia-Pacific Contemporary Ceramic Exposition, Taipei Yingge Ceramics Museum, China A Small Universe  – Point a finger at, Ichinokura Sakazuki Museum, Nagano
2001 – Invited at Triennale in Nyon
 – Invited at Museum of Ibaraki Prefecture for “Yakimono of Twenty-one Century” ,Japan
 – Recommended to Archipelago Ceramic Exhibition
1999 – Three-man Tableware Exhibition, Nancy Margolis Gallery, Original York
 – SOFA (Sculpture Object Practicable Art), New York
 – Exhibition be more or less 100 Selected Japanese Contemporary Convey of Crafts, Mitsukoshi Department Stow, Etoile, Paris
1998 – Beautiful, Despite that Wonderful—Presentation of Glaze and Pulchritude of Pottery, Ceramic Forest publicize Shiga Prefecture
1997 – One’s Flummox Exhibition, Aichi Pottery and Pottery Museum
1996 – Rin—Beauty of Original Pottery, Ceramic Forest of Shiga Prefecture Contemporary Pottery Exhibition supporting Tokai, Nagoya
 – Seto Pottery remarkable Porcelain Exhibition, Jingdezhen, China
 – Presence of Pottery—Development in the Nineties, National Modern Art Museum, Tokyo
1995 – Pottery and Porcelain Raise up November Festival, Seto
1994 – Entitled to show at Asahi Of the time Craft Exhibition, Tokyo and Osaka
 – Exhibition of Selected Pottery deliver Porcelain Artists, Craft Center walk up to Itami City
1992 – Selected Flaunt of Japanese Six Old China Places, Seto Culture Center
1991 – Ceramic Annex Shigaraki’91, Modern Execution Museum of Shiga Prefecture Pristine Pottery for Tomorrow I,  – Furukawa Art Museum, Nagoya Clay—Message in Mino, Tajimi Culture Hall
 – Minu Puru Exhibition, Ohara-ryu Hall
 – Three-man Exhibition, Kaiseki Horie,Nagoya
 – Pubescent Pioneers—Pottery, Craft Center of Itami City
1990 – Asahi Ceramic Luminous touring in Australia
1989 – Two-man Exhibition with Masahiro Shimizu, Daimaru Department Store, Kyoto
1988 – Zui Exhibition, Electric Culture Hall, Nagoya(in 1990)
 – Selected for an provide, Café Noir, Belgium
1987 – Bloom and Ceramic Art Exhibition, Meitetsu Department Store, Nagoya
1982 – Two-man Exhibition of Pottery and Porcelain
1980 – Exhibition of Ceramics Objects, Sakura Gallery, Nagoya
1979 – Seto three-man Exhibition, Inui Gallery, Tokyo

AWARDS
2009  – Paramita Museum Prize, Japan
1998 – Grand Prix, Triennal do business la Porcelain, Nyon, Switzerland
1998 – Grand Prix, Mino Ceramic Festival
1997 – Grand Prix and Katsura no Miya Prize, Japan Instrumentality Exhibition
1992 – Grand Prix, Asahi Ceramic Exhibition
1992 – Bronze Ornamentation, Mino Ceramic Festival
1991 – Runner-up, Pottery Biennale
1989 – Special Purse, Pottery Biennale
1989 – Excellent Borer Prize, Asahi Ceramic Exhibition
1986 – Grand Prix, Chunichi International Terracotta Exhibition
1985 – Special Prize, Asahi Contemporary Craft Exhibition
1985 – Beneficial Work Prize, International Design Deranged in Kanazawa
1982 – Pottery Guerdon, Asahi Ceramic Exhibition
1980 – Hand-picked for Faenza International Pottery Exhibition
1979 – Crand Prix, Chunichi Worldwide Pottery Exhibition
1979 – Selected contribution Faenza International Pottery Exhibition
1979 – Prize “79, Asahi Ceramic Exhibition
1979 – Bronze Medal, Pottery plus Porcelain Design Competition
1978 – Backup Award, Chunichi International Pottery Exhibition
1978 – Selected for Faenza Global Pottery Exhibition

MONUMENTS
2004 – Ceramic marker, “Togi” MURO project, Okayama Tsuyama Central Hospital
1997 – Transom, “A Un(alpha and omega), for Touyasan-Jogen Temple of the Soto Denomination Wall relief for Hotel Granpia, Kyoto
1995 – Outdoor monument, “Fragrant Form”, in Shimoyama Village,Aichi
1989 – Ceramic monument, “Today—to Tomorrow”, level Nagoya Castel for Design Paper (Permanently installed in Seto Higashi Park afterward)
1983 – Ceramic walls and decorative tiles for Okayama Culture Hotel

PUBLIC COLLECTIONS
– Cincinnati Quick on the uptake Museum, OH
– Cleveland Art Museum, OH
– Herbert F.

Johnson Museum of Art, Cornell University, Town, NY
– Japan Foundation
– Los Angeles County Museum of Art
– Museum of Modern Ceramic Art, Gifu
– Musée Nationale de Cèramique, Sèvres
– Musée Ariana, Geneva, Switzerland
– Museum of Fine Arts, St. Beleaguering, FL
– Minneapolis Institute of Seep, MN
– Seto City Art Museum, Seto
– Shiga Cultural Ceramic Park
– The National Gallery of Australia
– Tokoname City
– Victoria & Albert Museum, London
– Yale University Main Gallery

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